Conferences
2017
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Tracking the creative process of musical works with 3D sound spatialisation: the case of Natasha Barrett’s Hidden Values (2012)”, Tracking the Creative Process in Music conference (TCPM), 4th edition, Huddersfield, University of Huddersfield, September 15th, 2017.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “The Analysis of Music for Performers and Real-Time Electronics: An Interactive Aural Approach From the TaCEM Project”, 9th European Music Analysis Conference (EuroMAC 2017), Strasbourg (France), Université de Strasbourg, July 1st, 2017.
2016
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project”, 42nd International Computer Music Conference, Utrecht (The Netherlands), HKU University of the Arts Utrecht, September 13th, 2016.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Performing Works with Instruments and Real-Time Electronics. An analytical and interactive perspective from the TaCEM project”, Performance Studies Network Conference (PSN2016), Bath, Bath Spa University, July 14th, 2016.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Towards Incorporating Computer-Aided Techniques to Interactive Aural Analysis”, workshop, 1st Conference on Computer Simulation of Musical Creativity (CSMC16), Huddersfield, University of Huddersfield, June 19th, 2016.
2015
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works”, Ircam Forum Workshops, Paris (France), Ircam, November 25th, 2015.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Interactive Tools for the Study of Electroacoustic Music Composition Methods: Resources for teaching and learning from the TaCEM software”, Innovative tools and methods to teach Music and Signal Processing international conference, Saint-Étienne (France), Université Jean Monnet, November 2-3rd, 2015.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Tracking the Creative Process in Trevor Wishart's Imago”, Tracking the Creative Process in Music international conference, 3rd edition, Paris (France), Ircam / Centre Georges Pompidou, Université Paris-Sorbonne & Conservatoire National Supérieur de Musique et de Danse de Paris, October 8-10th, 2015.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “An Interactive Simulation of John Chowning's Creative Environment for the Composition of Stria (1977)”, workshop, Computer Simulation of Musical Creativity (CSMC15) study day, Huddersfield, University of Huddersfield, June 27th, 2015.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Francis Dhomont's Phonurgie: A new case study from the TaCEM project”, Electroacoustic Music Studies Network (EMS2015) international conference, The Art of Electroacoustic Music, Sheffield (UK), University of Sheffield, June 24th, 2015.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “The TaCEM project: Technology and Creativity in Electroacoustic Music”, National Association for Music in Higher Education (NAMHE) annual conference, Glasgow (UK), The Royal Conservatoire of Scotland, May 5th, 2015.
2014
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Towards an analysis of Trevor Wishart’s Imago: form, structure and technology”, Eighth European Music Analysis Conference (EuroMAC2014), Leuven (Belgium), Katholieke Universiteit Leuven, Faculty of Arts, September 21st, 2014.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun”, 40th International Computer Music Conference / 11th Sound and Music Computing Conference (ICMC / SMC 2014), Athens (Greece), University of Athens, Onassis Cultural Centre, Institute for Research on Music and Acoustics, September 15th, 2014.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “The Significance of Technical Research in the Study of Electroacoustic Music: A perspective from the TaCEM project”, Royal Musical Association 50th Annual Conference, Leeds (UK), School of Music, University of Leeds, September 5th, 2014.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis)”, 14th International Conference on New Interfaces for Musical Expression (NIME2014), Interactive Music Notation and Representation workshop, London (UK), Goldsmiths, University of London, June 30th, 2014.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works”, Electroacoustic Music Studies Network (EMS14) international conference, Electroacoustic Music Beyond Concert Performance, Berlin (Germany), Universität der Künste Berlin, Masterstudiengang Sound Studies, Technische Universität Berlin, Fachbebiet Audiokommunikatio, Freie Universität Berlin, June 13th, 2014.
Dufeu, Frédéric, Bonardi, Alain, “Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt”, Electroacoustic Music Studies Network conference (EMS14), Electroacoustic Music Beyond Concert Performance, Berlin, Universität der Künste Berlin, June 13th, 2014.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “TaCEM: Investigating the relationship between technological innovation and creative practice in electroacoustic music”, Department of Music Research Forum, Huddersfield (UK), University of Huddersfield, February 11th, 2014.
2013
“Working with the TIAALS Software”, Ircam Forum Workshops, Paris (France), Ircam, November 21st, 2013.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project”, Tracking the Creative Process in Music international conference, 2nd edition, Montreal (Canada), Faculté de Musique, Université de Montréal & Schulich School of Music, McGill University, October 11th, 2013.
“The Impact of Technology on the Creative Processes of Composing Electroacoustic Music” (poster presentation), Royal Musical Association Annual Conference 2013, London (UK), Senate House, University of London, September 19-21th, 2013.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Introducing TaCEM and the TIAALS Software”, International Computer Music Conference (2013 ICMC), Perth (Australia), Tura New Music, International Computer Music Association, Edith Cowan University & The Australasian Computer Music Association, August 15th, 2013.
“An Introduction to the TIAALS Software (Tools for Interactive Aural Analysis)”, Building Communities, Changing Needs, Ongoing Work seminar (4th symposium of the AHRC funded project “New Multimedia Tools for Electroacoustic Music Analysis”), Leicester (UK), De Montfort University, Music, Technology and Innovation Research Centre (MTI), July 11th, 2013.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “TIAALS: A new generic set of tools for the interactive aural analysis of electroacoustic music”, Electroacoustic Music Studies Network (EMS13) international conference, Electroacoustic Music in the Context of Interactive Approaches and Networks, Lisbon (Portugal), Universidade Nova de Lisboa, Centro de Estudos de Sociologia e Estética Musical, Faculdade de Ciências Sociais e Humanas, June 18th, 2013.
“Workshop: Tools for analysis of electroacoustic music”, Journées d’Informatique Musicale (JIM2013) international conference, Saint-Denis (France), Université Paris 8 Vincennes-Saint-Denis, Maison des Sciences de l’Homme Paris Nord, Centre de recherche Informatique et Création Musicale (CICM), workshop presented by Alain Bonardi, Bruno Bossis, Pierre Couprie, Frédéric Dufeu, Mikhail Malt, Laurent Pottier, May 20th, 2013.
“The TaCEM Project (Technology and Creativity in Electroacoustic Music)”, Electronic Music Symposium at Anglia Ruskin (EMSAR 2013), Cambridge (UK), Anglia Ruskin University, May 11th, 2013.
Clarke, Michael, Dufeu, Frédéric, Manning, Peter, “Le projet TaCEM et l’analyse interactive des musiques électracoustiques” (“The TaCEM Project and the Interactive Analysis of Electroacoustic Music”), Journées d’Analyse Musicale (JAM13) international conference, Corpus et Méthodes. Traductions théoriques de l’hétérogénéité musicale (Corpuses and Methods. Theoretical translations of musical heterogeneity), Rennes (France), Société Française d’Analyse Musicale, Université Rennes 2, April 4th, 2013.