24 and 25 February 2016
Fashion journalist, Brenda Polen described creative pattern cutting as: "illuminating, inspired, intricate, whimsical, subtle, complex, challenging, eclectc, weird, dramatic and sculptural" (Rotor, 2014 p.14)
The second international conference is designed to promote contemporary research into the art of creative pattern cutting and its significance to the fashion industry. The conference provides a platform for pattern cutters, fashion designers, students and educators to explore the impact and direction for creative pattern cutting.
The conference aims to:
Encourage discussion of new methods and techniques in creative pattern cutting, inspiring technical and design innovation.
Develop ways in which the fashion industry promotes pattern cutting as a career, emphasizing its creative integrity and magnetism.
Enhance ways in which tacit knowledge and the making process are considered as legitimate forms of research enquiry.
Promote equity for the roles of the creative pattern cutter and the fashion designer in terms of esteem and renumeration.
Balance debates about the knowledge and practical experience of traditional processes in the context of technological and digital development.
We are looking for abstracts, which expand the themes above and further explore the impact and direction for creative pattern cutting.
Selected papers will be published in a special edition in The International Journal of Fashion Design, Technology and Education, Volume 6, Issue 2, published in July 2016. Guest editors: Dr Kevin Almond and Dr Jess Power.
Important dates:
Wednesday 24th February
9.00am | Coffee/Tea/Registration | 3M Buckley Innovation Centre |
9.45am | Welcome from the Pro Vice Chancellor: Professor Christine Jarvis | |
9.50am |
Introduction to the Conference |
|
10.05am |
Keynote speaker: Dr Timo Rissanen, Assistant Professor of Fashion Design, Parson: The New School for Design, New York |
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10.35am | Questions | |
10.45am | Coffee/Tea | |
11.00am | Please make your way selected session in time for an 11.15am start | |
11.15am | Research presentations presented in two strand sessions (attendance limited per strand) | |
SESSION 1 |
SESSION 2 |
SESSION 3 |
‘Photonic Patterns: Fashion Cutting With Illuminating Polymeric Optical Fibre (POF) Textiles’ |
‘Parsons New Curriculum’ |
Tradition’Pattern Making for New Fabric Joining Technologies’ |
‘Shaped by a Stitch – Exploring the Knit Stitch as a Means for Shaping Pre-made Textiles’< |
‘How Can A Box Become A Garment’ |
‘Myths, Mysteries and Legends that Surround the Development of Pattern Cutting’ |
‘Computational Fashion – The Digital Approach to Pattern Making’ |
‘Jumpstarting Creativity in the University Setting: An Exercise in Creative Silhouettes’ |
‘Tacit Magic: Understanding the Principles behind Nakamichi's Creative Pattern Cutting’ |
12.45 - 1.45pm |
Lunch |
3M Buckley Innovation Centre |
SESSION 4 | SESSION 5 | SESSION 6 |
‘Measuring Access’ |
‘Pattern Drafting for Diverse Body Types’ |
‘From Roll to Bag’ |
‘Integrating Textile Design & Surface Design into the Pattern Cutting Process Incorporating the use of Multiple Technologies’ |
‘Changing Perspectives in the Patternmaking and Draping Classroom’ |
‘The White Shirt. (An exploration into the influence of geometrics in fashion)’ |
‘Defining a Theoretical Model - The Application of 3d Printing as a Disruptive Technology, Explored Through an Analysis of the Process of Creative Garment Development’ |
‘Scaffolding Creative Pattern Cutting throughout the Traditional Patternmaking Curriculum’ |
‘The Side Saddle Skirt’ |
‘Teaching of Creative Pattern Making in Today`s Higher Education’ |
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Toy Box or Tool Box; Is Fashion Education Merely an Expensive Hobby? |
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4.00 - 5.00pm | Coffee/Tea | |
6.15pm | Evening ReceptionStudent Central | |
6.30pm |
Keynote speakers: Professor Shelley Fox, Donna Karan Professor of Fashion, Parsons: The New School for Design, New York and Juliana Sissons, Senior Lecturer, Nottingham Trent University 'Cutter - Designer - Cutter: Cutting as Design' |
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7.15pm | Conference Dinner |
Thursday 25th February
9.00am | Coffee/Tea/Registration | 3M Buckley Innovation Centre |
10.00am |
Keynote speakers: Mark Powell/Anne-Laure Frizon (Lectra) |
|
10.30am | Questions | |
10.45am | Coffee/Tea | |
11.00am | Please make your way to your selected session in time for an 11.15am start | |
11.15am | Research presentations presented in three strand sessions (attendance limited per strand) | |
SESSION 1 |
SESSION 2 |
SESSION 3 |
‘On the Relationship Between the Shear Forces in Human Skin and the Grain Direction of Woven Fabric’ |
‘Holistic Zero Waste Model – Beyond Pattern Cutting’ |
‘Abstract Approaches to Creative Cutting’ |
Stretch to Fit – Made to Fit’ |
‘Sizing up zero-waste patterns |
‘Cuts and Construction: Challenging Perceptions of 19th Century Women’s Costume |
‘3d Printing: Virtual Draping the New Moulage’ |
‘Growing and Sustaining Creative Pattern Cutting as a Recognized Profession in Asia’ |
‘From Skip to Catwalk: An Investigation into Viable Pattern Cutting Techniques for Recycled Clothing’ |
12.45 - 1.45pm |
Lunch Please make your way back to your selected sessional room for a 2.00pm start |
3M Buckley Innovation Centre |
SESSION 4 | SESSION 5 | SESSION 6 |
‘New Approach to the Dress Forms for Korean Boys Aged 7-10 by Body Size and Shape Analysis’ |
‘Transforming the Sequential Process of Fashion Production: Where Zero-Waste Pattern Cutting Takes the Lead in Creative Design’ |
‘Creative Cutting for Underarm Fit: An Analysis of Vintage Clothing to Advise Tacit Knowledge and the Making Process’ |
‘The Influence of Seams on Body Posture’ |
‘Transforming Zero’ |
‘Making Trans---form---ative Cuts Fashioning Dynamic Form: Experimantal Making to Evolve Design Practice’ |
‘Proportional Myths and Individual Truths in Pattern Construction Methods’ |
‘MakeUse: Print as Encoded Way Finding a System for the Creation of Garment Form’ |
‘The Progress of Creative Pattern Cutting’ |
4.00 - 4.30pm | Coffee/Tea | |
4.30pm | Plenary session/Conference close | |
5.00pm |
Conference Close Dr Kevin Almond |
Hosting University: University of Huddersfield, UK
Organisers: Dr Kevin Almond, Stephen Wigley, Dr Jess Power
Contact: creativecut@hud.ac.uk